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In 1864, just prior to the years in which he wrote his greatest novels — Crime and Punishment, The Idiot, The Possessed and The Brothers Karamazov — Fyodor Dostoyevsky (1821–1881) penned the darkly fascinating Notes from the Underground. Its nameless hero is a profoundly alienated individual in whose brooding self-analysis there is a search for the true and the good in a world of relative values and few absolutes. Moreover, the novel introduces themes — moral, religious, political and social — that dominated Dostoyevsky's later works. Notes from the Underground, then, aside from its own compelling qualities, offers readers an ideal introduction to the creative imagination, profundity and uncanny psychological penetration of one of the most influential novelists of the nineteenth century. Constance Garnett's authoritative translation is reprinted here, with a new introduction.
- Sales Rank: #123471 in Books
- Brand: Brand: Dover Publications
- Published on: 1992-02-21
- Released on: 1992-02-21
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 5.25" w x .50" l, .18 pounds
- Binding: Paperback
- 96 pages
- Used Book in Good Condition
Language Notes
Text: English (translation)
Original Language: Russian
About the Author
With his sympathetic portrayals of the downtrodden of 19th-century Russian society, Fyodor Dostoyevsky (1821–1881) exercised immense influence on modern writers. His novels featured profound philosophical and psychological insights that anticipated the development of psychoanalysis and existentialism.
Most helpful customer reviews
46 of 47 people found the following review helpful.
A Note on Translations...
By Enamorato
I will not delve into the brilliant work of nascent existentialism that Dostoevsky's "Notes From Underground" represents as there are plenty of reviews who have already done that for me. I do want to help customers in choosing a translation out of the many that are available, as there doesn't seem to be much to guide one through them here.
Perhaps the best translation I've found to date is that by Andrew MacAndrew, available in a Signet Classics edition. MacAndrew's prose has a vigor and modern clarity that truly make this work speak to the reader - the Underground Man truly comes to life as a living, breathing character with a relevance and immediacy.
For all the praise the Pevear/Volokhonsky translations have gotten, I do not think they necessarily surpass the efforts of those who came before them in this particular instance. Although a big fan of their Tolstoy, the Dostoevsky comes off somewhat comparatively muted.
Compare MacAndrew's rendering of the opening words in which the Underground Man introduces himself:
"I'm a sick man... a mean man. There's nothing attractive about me. I think there's something wrong with my liver. But, actually, I don't know a damn thing about my sickness; I'm not even too sure what it is that's ailing me."
To Pevear/Volokhonsky's:
"I am a sick man... I am a wicked man. An unattractive man. I think my liver hurts. However, I don't know a fig about my sickness and am not sure what it is that hurts me."
Of the two, MacAndrew's Underground Man obviously speaks a more contemporary English. I am aware that this has actually been a criticism of his. In fact, many readers might actually be put off by the brusque and terse take or find it even slightly disturbing. Purists will also doubtless find much to annoy them about MacAndrew's more interpretive (as opposed to literal) approach to translation. The Pevear/Volokhonsky actually appeared in 1993, about 30 years after MacAndrew's. There's nothing particularly wrong with their version. It has a stately, nuanced charm and is apparently much truer to Dostoevsky's original in the literal sense (to the point of translating his flaws and idiosyncrasies). But personally, as a reader, I just got much more out of reading the MacAndrew translation. You immediately get a taste of the angst of this character from MacAndrew's terse, flippant diction.
Two others to take note of: The classic Constance Garrett translation can still be found in a cheap Barnes and Noble Classics edition, along with a good selection of Dostoevsky's shorter works. Garnett's haphazard, hasty, and somewhat reckless method of translation has been much criticised, as has her quaintly Victorian diction. Mirra Ginsberg's translation in the Bantam Classics series matches the Pevear/Volokhonsky translation almost word-for-word, although I find the wording where she deviates to actually be better overall.
0 of 0 people found the following review helpful.
I read this as an assignment from a Great Books course and found it interesting and profound
By Hank Acker
I read this as an assignment from a Great Books course and found it interesting and profound. The main character is foolish but is just like most of us which is what makes this book a good read.
0 of 0 people found the following review helpful.
It is a beautifully written classic that speaks about social situations and power ...
By Aurora
This novel should be read by everyone. It is a beautifully written classic that speaks about social situations and power between people.
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